ENGL4670: Twentieth-Century Brit Novel (33562)

Parkes, Adam

TR 9:35 AM

Park Hall 136


This course will provide an overview of fiction written in and about Britain in the modern era by considering works from across the twentieth century.  Beginning with modernist texts by such authors as Joseph Conrad, D.H. Lawrence, and Virginia Woolf, and concluding with works by J.G. Ballard and Kazuo Ishiguro, we will consider some of the recurring issues of literary style, narrative form, and historical representation that preoccupied twentieth-century British fiction.  Combining detailed textual analysis with discussion of relevant historical contexts, we will pay special attention to the question of what it meant to write fiction – especially fiction about history – at different junctures in modern British history.

N.B. In Fall 2021, this course will be taught in person only unless circumstances dictate otherwise.  

Please obtain print copies of the paperback editions listed below.  Texts will be available from the UGA bookstore, as well as Amazon, of course.  Reading ahead during the summer is strongly recommended; The Rainbow, in particular, is a very long novel, so start there..

Ballard, J.G.  High Rise (Liveright, 2012.  ISBN: 978-0871404022)                              

Conrad, Joseph. Heart of Darkness, ed. Cedric Watts (Oxford UP, 2008.  978-0199536016)

Ishiguro, Kazuo. The Remains of the Day (Vintage, 1990.  ISBN: 978-0679731726)                 

Lawrence, D.H. The Rainbow, ed. Mark Kinkead-Weekes (Penguin, 2007.  978-0141441382)     

Naipaul, V.S.  Miguel Street (Vintage, 2002.  978-0375713873)                                                  

Rhys, Jean. Wide Sargasso Sea (W.W. Norton, 2016.  978-0393352566)                                                   

Waugh, Evelyn. A Handful of Dust (Back Bay Books, 2012.  978-0316216265)                                        

Woolf, Virginia. To the Lighthouse (Harcourt Brace Jovanovich, 1989.  9780156907392)           

Recommended: M.H. Abrams and Geoffrey Harpham, A Glossary of Literary Terms; James Wood, How Fiction Works


This course will provide an overview of fiction written in and about Britain in the modern era by considering works from across the twentieth century.  Beginning with modernist texts by such authors as Joseph Conrad, D.H. Lawrence, and Virginia Woolf, and concluding with works by J.G. Ballard and Kazuo Ishiguro, we will consider some of the recurring issues of literary style, narrative form, and historical representation that preoccupied twentieth-century British fiction.  Combining detailed textual analysis with discussion of relevant historical contexts, we will pay special attention to the question of what it meant to write fiction – especially fiction about history – at different junctures in modern British history.

N.B. In Fall 2021,this course will be taught in person only unless circumstances dictate otherwise.  

Please obtain print copies of the paperback editions listed below.  Texts will be available from the UGA bookstore and from Avid Bookshop in Five Points.  Reading ahead during the summer is strongly recommended; The Rainbow, in particular, is a very long novel.

Ballard, J.G.  High Rise (Liveright, 2012.  ISBN: 978-0871404022)                              

Conrad, Joseph. Heart of Darkness, ed. Cedric Watts (Oxford UP, 2008.  978-0199536016)

Ishiguro, Kazuo. The Remains of the Day (Vintage, 1990.  ISBN: 978-0679731726)                 

Lawrence, D.H. The Rainbow, ed. Mark Kinkead-Weekes (Penguin, 2007.  978-0141441382)     

Naipaul, V.S.  Miguel Street (Vintage, 2002.  978-0375713873)                                                  

Rhys, Jean. Wide Sargasso Sea (W.W. Norton, 2016.  978-0393352566)                                                   

Waugh, Evelyn. A Handful of Dust (Back Bay Books, 2012.  978-0316216265)                                        

Woolf, Virginia. To the Lighthouse (Harcourt Brace Jovanovich)           

Recommended: M.H. Abrams and Geoffrey Harpham, A Glossary of Literary Terms; James Wood, How Fiction Works