ENGL4837E: Digital Storytelling (64880)

Harding, Lindsey

TBA

No Classroom Required


Course Description

This course will investigate theories and practices, media and modes, trends and challenges of storytelling in the digital age. In addition, the class will explore the historical perspective by reading print publications that anticipate the changing landscape of communication technologies. In this course, students will encounter a variety of narrative devices, multimedia platforms, and digital tools to help them develop the rhetorical flexibility they need to author engaging stories in digital environments. By the end of the semester, students will understand the art, craft, tools, and historical precedents of digital storytelling; develop digital literacies and writing skills; and, create digital stories independently and collaboratively. Finally, students will participate in a Digital Showcase, which will enable them to share their work with a larger audience online.  

Learning Objectives

Students will

  • discuss historical perspectives on and theories relevant to narrative and storytelling.
  • explain the role of digital technologies in shaping and conveying narratives.
  • apply this foundational knowledge to analyzing digital texts.
  • apply a critical digital literacy to distinguish between information, misinformation, and disinformation. 
  • evaluate and work with digital tools and authoring platforms.
  • design and develop digital stories to be shared with a public audience.
  • develop their abilities to work independently and collaboratively, contribute to discussions in class and online, communicate effectively, and think critically and creatively.

What’s more:
“Najat Smeda, Eva Dakich, and Nalin Sharda conclude that digital storytelling is a meaningful approach for creating a constructivist learning environment based on novel principles of teaching and learning and has the potential to enhance student engagement and provide better educational outcomes for learners. Simply put, constructionsim provides opportunities for people to learn by making personally meaningful artifacts and sharing them with others (Smeda, Dakich, & Sharda, 2004)” (Barber, 2016, pg. 10).

Writing-Intensive Format

This course is writing intensive, which means that the course will include substantial and ongoing writing assignments that a) relate clearly to course learning; b) teach the communication values of a discipline—for example, its practices of argument, evidence, credibility, and format; and c) prepare students for further writing in their academic work, in graduate school, and in professional life. The written assignments will result in a significant and diverse body of written work (the equivalent of 6000 words or 25 pages) and the instructor (and/or the teaching assistant assigned to the course) will be closely involved in student writing, providing opportunities for feedback and substantive revision.

Required Readings

All readings for the course will be available as PDFs or links to online material. For all of the readings, please feel free to print them out if you would like to enable note-taking strategies that might not be available for digital texts (i.e., in-text annotations, marginal comments, etc.).

Examples of readings you’ll encounter - 

Module 1 - Social Stories and Storytelling on Social Media

  • Jennifer Egan’s Twitter story, Black Box (link)
  • Teju Cole’s Seven short stories about drones (link)
  • Historicizing New Media (PDF on eLC)

Module 2 - Longform Nonfiction and the Shape of Stories

  • Breathtaking (link)
  • The Six Main Arcs in Storytelling, as Identified by an A.I. (link)
  • Toward a Generative Model of Legend: Pizzas, Bridges, Vaccines, and Witches (PDF on eLC)

Module 3 - Podcasts and How Stories Spread & Stick

  • Podcast of your choice from the following: Dr. Death, Dear John, S-Town, Serial - Season 1, 2, or 3, and listen to the whole season!)
  • “Spread the Word”: Creepypasta, Hauntology, and an Ethics of the Curse (PDF on eLC)

Required Software

Free - For this course, you’ll need free accounts with the following digital tools and social media. You are welcome to create separate accounts to use for course-related activities or a pre-existing account, so long as the username, profile, and existing tweets are appropriate.  

  • Twitter
  • Google Drive

Year-long subscription - You’ll also need an account with Reclaim Hosting. This will give you a domain where you’ll be able to create and share the work you do for this class. And after the class, you’ll be able to use the domain as you wish, possibly for a personal-professional portfolio or blog.