ENGL4675: TwentyFirst Century Brit Fict (70215)

Parkes, Adam

MWF 11:30 AM

Park Hall 0139


Reading works written in the realist tradition together with experimental texts, this course will explore some of the ways in which novels and stories written in the twenty-first century engage with history – the history of the present, as well as the past.  We will consider how far themes of class, money, status, family, and marriage continue to shape the English novel as a literary form, as well as discussing the aesthetic consequences of issues that loom large in the contemporary world: global finance, immigration, multiculturalism, the digital revolution, and climate change, as well as regional, national, and international identities.  We will think, too, about how fiction strives to reshape these materials and sometimes to resist them.  Another recurrent theme will be the twenty-first-century response to the artistic and cultural legacies of the nineteenth and twentieth centuries.  

We will study the texts listed below, which are available from the UGA bookstore but which you may also obtain via Amazon.com or Amazon.co.uk.  Please obtain print copies and bring the relevant text to class:

Rachel Cusk, Outline (Picador, 2016.  ISBN: 1250081548)
Tessa Hadley, Bad Dreams and Other Stories (Harper Perennial, 2022.  0063265117).             
Kazuo Ishiguro, Never Let Me Go (Vintage, 2006.  1400078776).                                        
Tom McCarthy, Remainder (Vintage, 2007.  0307278352).                                                   
Ian McEwan, Atonement (Anchor, 2003.  038572179X).                                                              
Zadie Smith, On Beauty (Penguin, 2006. 0143037749).                                                         
Lucy Wood, The Sing of the Shore (Fourth Estate, 2019.  9780008193409).  (This one may have to be ordered from the UK.)

Reading ahead during the winter break is strongly recommended.  First up will be McEwan's Atonement, so start there.